Customer stories

John Mangia

VFX supervisor

John Mangia

VFX supervisor

As a visual effects supervisor, John Mangia has an impressive resume that includes “The Offer,” “The Queen’s Gambit,” “If Beale Street Could Talk”, and many others. We talked with John about working on fast-paced film and television productions and his onset VFX data collection workflow.

Grainne Dooley

VFX supervisor

Grainne Dooley

VFX supervisor

Grainne Dooley, VFX Supervisor, began her career with a pact that brought her from her Irish homeland to New Zealand to learn the art of filmmaking. Now, 18 years later, she has earned credits on high-profile and indie productions, including “Foundation,” “The Old Guard,” “Penny Dreadful,” “Vikings,” “The Chronicles of Narnia: The Lion, the Witch and the Wardrobe,” and numerous others.

We spoke with Dooley about her use of Setellite and the challenges of collecting and managing onset VFX data in an organized and effective way.

Martin Hall

Martin Hall – VFX supervisor Paramount and CEO Epic-FX

Martin Hall

Martin Hall – VFX supervisor Paramount and CEO Epic-FX

Martin Hall has extensive experience in the visual effects and entertainment production industry. His career began in the mid 90’s, coming from a lighting and shooting background of models and miniatures. Trained in the traditional fine arts, he found visual effects to be the perfect synthesis of art, technology, and business, while being the most collaborative of all creative endeavors. Among his numerous film and television credits include, “Winning Time: The Rise of the Lakers Dynasty,” (HBO), “Perry Mason,” (HBO), “All the Old Knives,” (Amazon), “Encounter,” (Amazon), and numerous others.